Friday, October 1, 2010

warp+weft: from handloom to production, The National Wool Musuem, Drefach Felindre, Carmarthenshire

Alongside the warp+weft exhibition at Oriel Myrddin Gallery, I have also curated a sister show entitled warp+weft: from handloom to production at the National Wool Museum.  As the title suggests, the exhibition highlights weavers who've developed their practice from craft beginnings into commercial batch production through establishing and nurturing mutually beneficial relationships with mills. 


The designers in this exhibition are:


Donna Wilson for SCP
Eleanor Pritchard
Wallace + Sewell
Fran White, The Linen Shop
Dashing Tweeds
Margo Selby
Tim Parry Williams
Cefyn Burgess
Below is the introductory text to the exhibition:


From the great Northern cotton mills with their rows upon rows of noisy power looms, to the Harris Tweed home weavers in Scotland, the silk weavers of Spitalfields and the modest water powered Welsh mills making flannels and blankets for the local market, the weaving of cloth is a key part of the British cultural and industrial heritage.

In recent decades the textile industry in Britain has depleted dramatically.  Higher salary expectations in the UK coupled with the overwhelming competition from cheap overseas imports meant that many mills just couldn’t survive in the cut throat contemporary marketplace.

Nevertheless, the resilient have survived by embracing new ways of working and responding to new markets.  Niche areas such as technical textiles or luxury fabrics for fashion or furnishings have given British mills a key competitive advantage where quality is paramount and price point is less of an issue.

One such market is the production of short runs for a new generation of entrepreneurial textile designers who have developed their practice from hand weaving into the batch production of luxury woven goods.  The eight textile designers featured in this long overdue celebratory exhibition have all cultivated close working relationships with forward-thinking mills to commercially produce their designs that are rooted in a craft tradition.  Mutually informative, these craft-industry relationships have been rewarding for all concerned both in terms of business development and in extending practical knowledge. 

Throughout the exhibition these dynamic dialogues are self evident by virtue of the successful production of these extraordinary woven fabrics, each demonstrating intelligent approaches to yarn, construction, colour and finishing techniques.  Alongside the garments, interior accessories and fabric meterage on show, you have the rare treat of viewing the usually unseen hand woven samples that mark the beginning of the design and production process.


Please do go and see the exhibition, which is on until 8th January 2011. 


Cefyn Burgess


Tim Parry Williams


Margo Selby


Dashing Tweeds


Wallace + Sewell


Wallace + Sewell


Eleanor Pritchard


Fran White, The Linen Shop


Fran White, The Linen Shop


Fran White, The Linen Shop


Donna Wilson for SCP


Fran White, The Linen Shop

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